His character, who was in the thick of things in the first few scenes, curiously goes missing after a while. For instance, wish we could see more of the character played by Achuthanandan, the actor who excelled in the critically acclaimed “Crime No.89”. Some of them do not exit gracefully though. You see all kinds of everyday characters that come and go in the scenes and all of them look and sound so fresh and real. We haven’t had many films in the commercial circuit recently that had a distinct visual language as this. Anusree, who plays the role Soumya, fits well into the character When it comes to doing fine character sketches, Mahesh can be a textbook case for aspiring filmmakers. How an everyday photographer finds a virtue in life through an unexpected tussle and how his inspiration to live and his goals in life change, and whether he comes out of it successfully, form the crux of the story. Maheshinte Prathikaaram isn’t a revenge drama as the name suggests, but a cute little village story that many in the audience would relate to, especially those who had vowed to settle scores with someone or took sweet revenge for the setbacks received in life at some point. Through this film the actor was placed in his comfort zone yet again with an author-backed role that offered great potential for a natural performer like him. In a way, Maheshinte Prathikaaram is a homecoming for Fahad, with Aashiq Abu, the director of one his career bests, “22 Female Kottayam” donning the hat of the producer and the film’s co-writer Syam Pushkaran making his debut as an independent script writer. Though commercial failures, some of the recent scripts that he had picked weren’t as bad as they are made out to be – “Monsoon Mangoes” is a case in point.
#MAHESHINTE PRATHIKARAM SCRIPT SERIES#
After a series of recent box office disasters, Fahad Fazil, one of the finest actors in Malayalam cinema today, has been going through tough times.
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